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Founded in October of 2017, Boston Art Review (BAR) is an independent online and print publication committed to facilitating active discourse around contemporary art in Boston.

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Contributor

Denis Mwaura

Denis Mwaura is a curator and writer based in Chicago. He is currently the Assistant Director at Gallery 400, UIC. Exhibitions and public programs his curatorial research has supported include, A Species of Theft (2022) and Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art at Gallery 400; Malangatana: Mozambique Modern (2020), Naughty Nymphs in the Courtyard of the Favorites (2022), Igshaan Adams: Desire Lines (2022) at the Art Institute of Chicago; Wong Ping: Digital Fables (2021) and Madeleine Hunt-Ehrlich: Speculative Archives (2021) at Conversations at the Edge. His writings on artists including Kapwani Kiwanga, Daniela Rivera, and Senzeni Marasela appear in the Boston Art Review and Africanah.

By This Author

Issue 03 • Apr 02, 2019

Kapwani Kiwanga: Surveillance and the Limits of Recognition at The MIT List

Review by Denis Mwaura

Online • Nov 05, 2018

Sensuous Experiences with Art on The Margins: American Outsider Art at Tufts University

Review by Denis Mwaura