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Issue 13 • Jan 28, 2025
Holding a Mirror to Heaven: Parallels Between the Shaker Era of Manifestations and Early Spiritualism Movements
It’s the 250th anniversary of the Shakers’ arrival to the region and to say they are “having a moment” would be an understatement. Maria Molteni is an interdisciplinary artist, Shaker researcher, and member of an active Spiritualist community in Massachusetts’s Pioneer Valley. Laura Campagna is an astrologer, energy healer, and writer. Together, they delve into the niche overlap of Shaker and Spiritualist histories during periods of American history called “Great Awakenings” to examine the nuanced similarities and how an interest in their practices has made its way into the mainstream.
Feature by Laura Campagna and Maria Molteni
Read MoreLatest Reviews
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Online • Feb 18, 2025
Photographer Zora J Murff's Collages Ask Audiences to Pay Attention
Quick Bit by Erwin Kamuene
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Online • Feb 18, 2025
In “Snail Drawings,” Daniel Ranalli Finds Beauty in the Slow and Slippery
Quick Bit by Katherine Schreiber
Recent Features
Issue 12 • Feb 04, 2025
Developing a Movement: How the Polaroid Revolutionary Workers Movement Used Printed Matter to Protest Apartheid
Caroline Hunter recalls how a mundane sighting—an ID card on a bulletin board—grew into a monumental divestment campaign that exposed the links between American capitalism and South African apartheid, between photography and policing.
Feature by Jovonna Jones
Online • Jan 28, 2025
Fourteen Exhibitions Opening in Massachusetts this Winter
From a study of bolo ties to a performance art retrospective, these are the shows we’re most excited to catch as winter turns to spring.
Feature by BAR Editorial
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Online • Feb 18, 2025
Photographer Zora J Murff's Collages Ask Audiences to Pay Attention
Quick Bit by Erwin Kamuene
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Online • Feb 18, 2025
In “Snail Drawings,” Daniel Ranalli Finds Beauty in the Slow and Slippery
Quick Bit by Katherine Schreiber
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Online • Feb 04, 2025
Ripple Effect: Lani Asunción Confronts Colonial Pasts While Envisioning Liberated Futures
Feature by Grace Talusan
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Online • Feb 04, 2025
Developing a Movement: How the Polaroid Revolutionary Workers Movement Used Printed Matter to Protest Apartheid
Feature by Jovonna Jones
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Online • Jan 28, 2025
Fourteen Exhibitions Opening in Massachusetts this Winter
Feature by BAR Editorial
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Online • Jan 26, 2025
Victoria Burge Maps the Massive, the Minuscule, and the Mysterious
Profile by Marcus Civin
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Online • Jan 21, 2025
At SoWa, a Unifying Thread Emerges with Solo Exhibitions that Delve into the Domestic
Quick Bit by Melanie Litwin
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Online • Jan 14, 2025
Life Drawing Boston Finds a Permanent Home as its Community Grows
Feature by Emma Breitman
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Online • Jan 14, 2025
At the ICA, Caribbean Artists Provide Portals to Other Worlds, But Who Enters?
Feature by Jordan Barrant
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Online • Jan 07, 2025
“Steina: Playback” Conjures Nostalgia Through Technology and Nature at MIT List
Quick Bit by Jessica Shearer
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Online • Jan 07, 2025
Matthew Leifheit's "Queer Archives” Finds a Temporary Home at MassArt
Review by Bessie Rubinstein
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Online • Dec 17, 2024
Screen Printing Workshops are Bringing All Corners of Boston’s Creative Community Together
Feature by Claire Dunham
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Online • Dec 10, 2024
At Essex Art Center, Rixy Brings the Glamour and Grit of the Streets Indoors
Quick Bit by Helina Almonte
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Online • Dec 03, 2024
Winter 2024 Holiday Markets for Shopping Local in the Greater Boston Area
Feature by BAR Editorial
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Online • Dec 02, 2024
A Lifetime of Layering: How Tomashi Jackson moves between history, place, and an ever-expanding practice
Feature by Alisa Prince
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Online • Nov 25, 2024
On Kinship with Land and One Another: In Conversation with Deanna Ledezma, Josh Rios, and Anthony Romero
Interview by Jameson Johnson
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Online • Nov 12, 2024
Making Theater for the Most Drama-Prone of Audiences
Interview by Jacqueline Houton
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Online • Nov 12, 2024
Illuminus Kicks Off First Neighborhood-Specific Activation at an Old Tire Shop in Dorchester
Quick Bit by Erwin Kamuene
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Online • Nov 12, 2024
Literature and Liberation: A Bookstore and Gathering Place Comes to Fields Corner
Feature by Niara Simone Hightower
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Online • Nov 05, 2024
At MassArt Art Museum, "Displacement" Tells a Story of Environmental Destruction and Human Migration
Review by Shana Garr
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Online • Oct 29, 2024
New To Town: Carmen Hermo on her Appointment as Curator of Contemporary Art at the MFA
Interview by Jameson Johnson
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Online • Oct 22, 2024
"Alive and Kicking" Packs a Playful Punch at the Colby College Museum of Art
Review by Maddie Klett
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Online • Oct 22, 2024
At Boston Cyberarts Gallery, "Plastic Image Retrospective" Reflects on When Xerox Machines Were Avant-Garde
Review by Jackson Davidow
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Online • Oct 16, 2024
Making Her Mark: Jo Ann Rothschild on Forms in Motion and the Perpetual Emergence of Women Artists
Interview by Michelle Millar Fisher
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Online • Oct 14, 2024
“Four Womxn: New Musings on Blackness” Centers the Black Female Gaze at the MFA
Review by Gabrielle Mitchell-Bonds
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Online • Oct 08, 2024
At Brookline Arts Center, Inas Halabi Filters Destruction Through a Red Lens in "To a Returning Cloud"
Review by Zach Ngin
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Online • Oct 01, 2024
In Newport, a Queer Sex Scandal and Sailor Sting Operation From 1919 Get a Film Dramatization
Review by Marcus Civin
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Online • Sep 17, 2024
At LaiSun Keane, Michael C. Thorpe’s Quilts Challenge Convention in “Barstool Sports”
Quick Bit by Erwin Kamuene
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Online • Sep 10, 2024
Eleven Art Exhibitions to See in Massachusetts This Fall
Feature by BAR Editorial
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Online • Sep 03, 2024
Department of Public Imagination’s Radical Guide to Rest and Relaxation
Review by Alli Armijo
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Online • Sep 03, 2024
At Piano Craft Gallery, Ryan Horton Finds His Footing with "Ego & Insecurities"
Quick Bit by Alisa Prince
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Online • Aug 27, 2024
In “No Place Like Home,” Three Artists Present Fresh Perspectives on the Streets of Arlington
Review by Jacqueline Houton
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Online • Aug 27, 2024
Another SoWa Departure: In Conversation with Abigail Ogilvy on the Closure of Her Boston Gallery
Interview by Jameson Johnson
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Online • Aug 24, 2024
Firelei Báez: Unveiling the Pan-African Diaspora
Critical Perspective by Helina Almonte
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Online • Aug 20, 2024
Heather McPherson Grasps at Loss, Memory, and Dreams at the Distillery Gallery
Review by Karolina Hac
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Online • Aug 13, 2024
Vivid Oblivion's New Performance Series Leaves "Some Kind Of Residue"
Quick Bit by Claire Ogden
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Online • Aug 12, 2024
Exhibition of Envelopes Addressed by Notable Designers Fills the Drawers at Katherine Small Gallery
Review by Poppy Livingstone
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Online • Aug 07, 2024
A New Mural by Thomas “Detour” Evans Provokes a Conversation About Where Public Art Belongs
News by Oisin Rowe
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Online • Aug 06, 2024
At Gallery Kayafas, Photography that Captures the Agency of the Incarcerated
Quick Bit by Erwin Kamuene
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Online • Aug 05, 2024
Karma’s Maine Group Show “A Particular Kind of Heaven” Offers a Century of Skygazing
Review by Jessica Shearer
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Online • Jul 30, 2024
Love, Hijinks, and Fragile Groundwork: A Conversation with Ethan Murrow
Interview by Monica Lynn Manoski
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Online • Jul 26, 2024
Wu Tsang's "Of Whales” Conjures an Otherworldly Oceanscape at a Distance from the Real Thing
Review by Thea Quiray Tagle
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Online • Jul 17, 2024
Two Sides of Summer: "Tara Donovan and Hamish Fulton" at Krakow Witkin Gallery
Quick Bit by Helen Miller
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Online • Jul 17, 2024
A Perch with Purpose: Jean Shin's Salvaged Trees Greet Birds and Visitors at Appleton Farms
Feature by Karolina Hac
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Online • Jul 16, 2024
At ODD-KIN, Jungil Hong Defies the Constraints of the Labor of Art-Making
Review by Elizabeth Maynard
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Online • Jul 16, 2024
2024 Boston Art Writing Fellows Blog: Exhibition Reflections
Review by BAR Editorial
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Online • Jul 09, 2024
Continuity in Community Organizing: Engaging Movement Histories Held at Museums
Feature by Alula Hunsen
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Online • Jul 09, 2024
Unearthed History: Tragedy and Triumph in Maya Erdelyi’s "Anyuka"
Review by Emma Breitman
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Online • Jun 25, 2024
Jay Critchley Provocatively Pairs Patriotism with Queerness at SPOKE Gallery
Review by Jackson Davidow
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Online • Jun 24, 2024
At BAMS Fest, the "Rep Your City" Art and Graffiti Exhibition Returns with an Art Sale
News by Niara Simone Hightower
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Online • Jun 12, 2024
When Artists Organize: The fight against displacement in Greater Boston
Feature by Shira Laucharoen
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Online • Jun 11, 2024
Fourteen Must-See Museum Exhibitions to Check Out in New England This Summer
Feature by BAR Editorial
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Online • Jun 06, 2024
At Ellen Miller Gallery, Cristi Rinklin Paints on a Slippery Plane of Memory and Perception
Review by Oisin Rowe
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Online • Jun 06, 2024
Tim McCool Suspends Time and Shadows at Anderson Yezerski Gallery
Quick Bit by Douglas Breault
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Online • Jun 02, 2024
An Honest Self-Rendering: Looking Inside of Sima Schloss’s On Empathy at ShowUp
Review by Helina Almonte
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Online • May 30, 2024
Ode to the Barbershop: Style as Preservation in Erick Maldonado Delights Momentum at Kingston Gallery
Quick Bit by Erwin Kamuene
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Online • May 30, 2024
A History of the Folly Cove Designers, a Pioneering Printmaking Collective
Critical Perspective by David Curcio

Online • May 30, 2024
Putting the Public in Public Art: How participatory projects are bringing Bostonians together
Feature by Jacquinn Sinclair
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Online • May 21, 2024
New Gallery No Call No Show Gives Artists a Space to Test-Run Big Ideas
Feature by Emma Breitman
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Online • May 07, 2024
“Lorraine O’Grady: Both/And” at the Davis Museum at Wellesley College
Review by Alisa Prince
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Online • May 01, 2024
Community Engagement Is Underway for a New Vietnam War Memorial in Dorchester
Feature by Shira Laucharoen

Online • Apr 16, 2024
BU MFA Exhibition “Sculpturecore” Takes to an Abandoned CVS to Probe at What Lies Beneath the Surface
Review by Shira Laucharoen
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Online • Apr 08, 2024
Taleen Batalian and Françoise McAree in Tandem: “Counterpoint” at Overlap Gallery
Review by Elizabeth Maynard
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Online • Apr 08, 2024
Language, Symbols, and Systems: Sneha Shrestha Layers Personal Devotions with Cultural Rituals
Interview by Jameson Johnson
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Online • Mar 26, 2024
Boston Art Review Appoints First Executive Director
Announcement by BAR Editorial
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Online • Mar 26, 2024
In Portland, Lauren Luloff Creates New Formations
Review by Kari Adelaide Razdow
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Online • Mar 21, 2024
Announcing New Board Members and Leadership Appointments
Announcement by BAR Editorial
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Online • Mar 20, 2024
Shantel Miller’s “I’ve Been Trying to Reach You” Converses Across the Divide
Review by Shira Laucharoen
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Online • Mar 19, 2024
At the Whitney Biennial, Expansive Representations of Age, Gender, and Technology Are Subtly on Display
Review by Lauren Klotzman
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Online • Mar 19, 2024
Corporal Identity: “On Her Terms: Feminine Power Embodied” at the Fitchburg Art Museum
Review by Emma Breitman
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Online • Mar 06, 2024
MASS MoCA Unionized Workers Embark on Indefinite Strike Over Wages
News by Shira Laucharoen
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Online • Mar 05, 2024
Sunlit Sentiments: Yorgos Efthymiadis’s “The Lighthouse Keepers” at Gallery Kayafas
Review by Douglas Breault
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Online • Feb 28, 2024
Announcing the 2024 Emerging Boston Art Writing Fellows
Announcement by BAR Editorial
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Online • Feb 12, 2024
A Grab Bag of Goodies from the Edge of the World: The Fine Arts Work Center Fellows at PAAM
Review by Jacqueline Houton
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Online • Feb 07, 2024
Advancing the Creative Sector Legislative Agenda: A Breakdown of the Bills
News by Shira Laucharoen
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Online • Feb 01, 2024
“The Myth of Normal: A Celebration of Authentic Expression” at MassArt Art Museum
Review by Katherine Schreiber
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Online • Jan 29, 2024
Speculative Tourism from NYC to the DMZ: Sophie Friedman-Pappas and TJ Shin in Conversation with Moira Sims
Interview by Moira Sims
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Online • Jan 22, 2024
Christian Walker: Thoroughly Political, Poignant, and Worthy of Further Exploration
Review by Marcus Civin
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Online • Jan 19, 2024
Taking Back the Narrative(s): “Deeply Rooted: Faith in Reproductive Justice” at Brandeis’ Kniznick Gallery
Review by Melanie Litwin
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Online • Jan 08, 2024
“Faith Ringgold: Freedom to Say What I Please” at Worcester Art Museum
Review by Karla Méndez
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Online • Dec 21, 2023
"As We Rise: Photography from the Black Atlantic” at Peabody Essex Museum
Review by Alisa Prince
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Online • Dec 14, 2023
America on Display: Making the Museum a Classroom for Citizenship
Feature by Jacqueline Houton
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Online • Dec 07, 2023
Caroline Bagenal’s Swimming Sculptures Explore the Healing Power of Water
Review by Karolina Hac
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Online • Dec 05, 2023
Holiday Markets for Shopping Local in the Greater Boston Area
Feature by BAR Editorial
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Online • Nov 28, 2023
Queered Botany, Quilted Archives: In Conversation with Aaron McIntosh
Interview by Kendall DeBoer
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Online • Nov 21, 2023
Adoration and Collections by the Sea at the New Bedford Whaling Museum
Review by Shana Garr
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Online • Nov 21, 2023
Canvases of Camouflage: In Conversation With Tammy Nguyen
Interview by Josephine Halvorson
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Online • Nov 14, 2023
Images Reclaimed: Chantal Zakari's New Book Sends Messages to Those Inside
Review by Claire Ogden
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Online • Nov 14, 2023
Eyes Without a Face: Providence-Based Duo Velvet Other World Explore Sexuality and Concealment
Feature by Marcus Civin
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Online • Nov 13, 2023
Visits and Vigils: Crystalle Lacouture’s Material Memories
Profile by Jessica Shearer
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Online • Nov 07, 2023
Holding Humanity with the Boston Palestine Film Festival: A Conversation with Erik DeLuca and Michael Maria
Interview by Erik DeLuca
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Online • Nov 07, 2023
Modernism Both Past and Present Shine in Two Shows at the Ogunquit Museum of American Art
Review by Hilary Irons
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Online • Oct 31, 2023
Sculpting as Translation: In Conversation with Jocelyn Shu
Interview by Yutong Shi
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Online • Oct 17, 2023
Building Worlds of Resistance: A Conversation with Arghavan Khosravi
Interview by Jessica Shearer
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Online • Sep 27, 2023
Putting the Art in Startup: How Anupallavi Sinha Is Inviting Artists into the Laab
Interview by Alula Hunsen
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Online • Sep 19, 2023
A People’s Archive: “Hip-Hop: Seen/Unseen” opens on the Greenway
News by Alula Hunsen
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Online • Sep 12, 2023
Printing in P-town: Overlooked Printers Make an Impression at the MFA
Review by Katherine Schreiber
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Online • Sep 08, 2023
In Harvard Square, Nat Reed’s “Bikes Move Us” Conveys New Meanings from Old Forms
Review by Sonia Richter
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Online • Sep 01, 2023
At Beacon Gallery, Photographer Cheryl Miller Captures Eternal Communities
Review by Alisa Prince
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Online • Aug 29, 2023
At Karma’s Summer Outpost in Maine, Color Breaks the Silence of a Former Church
Review by Hilary Irons
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Online • Aug 29, 2023
Brian Smith Explores Aquatic Futures in “That Queer Fish”
Review by Karolina Hac
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Online • Aug 25, 2023
Elizabeth Colomba's "Mythologies" Reclaims Whitewashed Narratives
Review by Jessica Shearer
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Online • Aug 22, 2023
Portraits and Perception: At Gallery VERY, Familiar Faces Line the Walls of “PERSONA”
Review by Poppy Livingstone
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Online • Aug 14, 2023
A Trove of Donelan’s Queer Cartoons Delights at Jameson & Thompson
Review by Claire Ogden
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Online • Aug 07, 2023
A Short but Winding Road in Matthew Wong’s Paintings at MFA, Boston
Review by Karolina Hac
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Online • Jul 25, 2023
Learning and Imagining Reparations with the Mayor’s Office of New Urban Mechanics
Feature by Erik DeLuca
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Online • Jul 18, 2023
Passing the Torch: Edmund Barry Gaither and Danny Rivera on Organizing and Keeping the Faith
Interview by Alula Hunsen
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Online • Jul 07, 2023
The Undeniable Legacy of Edgefield's Black Potters Rings Loud and Clear at the MFA
Review by Lian Parsons-Thomason
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Online • Jul 06, 2023
Kate Greene’s “Black Sun” Toys With Photographic Distortion at Grant Wahlquist Gallery
Review by Hilary Irons
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Online • Jul 04, 2023
Capturing Childhood: In Conversation with Photographer Kristen Emack
Interview by Bethany Ericson

Online • Jun 28, 2023
Mapping Obsessão: In Conversation with Lyle Ashton Harris
Interview by Jameson Johnson

Online • Jun 26, 2023
From Murals to Movements: How Street Art Is Transforming East Boston and Beyond
Feature by Dana Forsythe
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Online • Jun 26, 2023
Covert Operations: Tyler Coburn and Ian Hatcher's Remote Viewer Explores CIA Seances
Interview by Hilary Irons
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Online • Jun 20, 2023
Take the Day: Fourteen Exhibitions That Warrant Art-Filled Trips Across New England
Feature by BAR Editorial
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Online • Jun 18, 2023
Imagining with Imagine W/: Circle Squared Screens Black Artist Conversations at the ICA for Juneteenth
Feature by Alula Hunsen
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Online • Jun 14, 2023
Juneteenth 2023: Cultural and Community Gatherings Across Boston
Feature by Niara Simone Hightower
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Online • Jun 13, 2023
Lucy Kim’s Vibrant Matter Mystifies and Enchants in “Dead or Dormant” at ODD-KIN
Review by Kendall DeBoer
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Online • Jun 12, 2023
A Bygone Era in Boston’s Punk Scene Is Revisited in Michael Grecco’s Anderson Yezerski Exhibition
Profile by Olivia Deng
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Online • Jun 06, 2023
In “Letters Mingle Souls,” Mitsuko Brooks's Mail Art Ventures Beyond Life and Death
Review by Marcus Civin
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Online • Jun 01, 2023
At MAAM, Jace Clayton Invites the Public to Coauthor his Algorithmic Musical Scores
Review by Toby Wu
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Online • May 27, 2023
The Sublime Feminine: Caleb Yono’s “Flotsam” Actualizes Femme Futures at Shoe Bones Gallery
Review by Poppy Livingstone
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Online • May 24, 2023
Event Recap: The Fifth Anniversary and Issue 10 Release Party
Announcement by BAR Editorial
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Online • May 23, 2023
A Film for Transient Archives: In Conversation with Georden West
Interview by Jasper A. Sanchez
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Online • May 18, 2023
Speculative Narratives for Corrective Futures: In Conversation with Elisabeth Subrin
Interview by Jessica Shearer
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Online • May 08, 2023
Bad Math with Good Results: Brooke Stewart’s Solo Presentation at Boston Center for the Arts
Review by Amy Bryzgel
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Online • May 01, 2023
Boston Art Review Announces its Inaugural Board of Directors
Announcement by BAR Editorial
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Online • Apr 28, 2023
Benefit for the Art Writing Fellowship Fund: Crystalle Lacouture's "Good Power from All Directions"
Announcement by BAR Editorial
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Online • Apr 27, 2023
Textile Politics: Newport Art Museum’s “Social Fabric” Remixes the Subversive Stitch
Review by Kendall DeBoer
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Online • Apr 18, 2023
In “The Familiars,” Haley Wood and Aris Moore Craft Creatures that Recall Our Younger Selves
Review by Karolina Hac
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Online • Apr 07, 2023
“Call and Response” Imagines a Radical Collective Future in the Midst of Isolation
Review by Oisin Rowe
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Online • Apr 01, 2023
Alejandra Cuadra and Ashley Page Present Artistic Journeys That Intertwine
Review by Karolina Hac
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Online • Mar 30, 2023
Artists are Reconsidering the Relics at Tufts University Art Galleries
Review by Sarah Baker
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Online • Mar 24, 2023
In “Barkley” at Apartment 13 Gallery, A Cult Hero Makes a Comeback
Review by Gina Lindner
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Online • Mar 21, 2023
Sarah Meyers Brent Brings New Life to the Objects we Leave Behind
Profile by Rachael Hershon
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Online • Mar 17, 2023
Marissa Cote's “I promise to stay in touch” Asks How We Exercise Love
Review by Maya Rubio
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Online • Mar 14, 2023
At “All Black Everything,” the Museum of NCAAA Came to Life with a Community Celebration
Feature by Niara Simone Hightower
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Online • Mar 13, 2023
Ripple Effects: Diving into “Waterlines” at the Somerville Museum
Review by Jacqueline Houton
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Online • Mar 06, 2023
Babes in Toyland: Gendered Dynamics “At Play” in Northeastern’s Gallery 360
Review by Kendall DeBoer
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Online • Feb 28, 2023
Books of Beauty: The Boston Athenaeum Presents a Symposium on Artists' Books in the 21st Century March 10-11
Announcement
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Online • Feb 28, 2023
A Gutted Pub at MIT has Been Brought to Life as a Cybernetic Performance Site
Review by Jameson Johnson
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Online • Feb 13, 2023
Thirteen Art Exhibitions to Catch Around New England as Winter Turns into Spring
Feature by BAR Editorial
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Online • Jan 25, 2023
When Workers Come A-Knockin’: Cultural Institutions and the Fight for Unionization
Feature by Josie Thaddeus-Johns

Online • Jan 09, 2023
Remembering George Fifield, Founder of Boston Cyberarts
Feature by Jameson Johnson

Online • Dec 19, 2022
Photography Into Palimpsest: In Conversation With Toni Pepe
Interview by Michelle Millar Fisher
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Online • Dec 13, 2022
At the Davis Museum, Lisa Reihana Recasts Colonial Narratives Through an Indigenous Lens
Review by Marcus Civin

Online • Dec 12, 2022
B. Ingrid Olson's "History Mother, Little Sister” Invokes the Body at Carpenter Center for the Visual Arts
Review by Karolina Hac
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Online • Nov 30, 2022
Woven Choreographies: Inside the Movement with Bhen Alan
Profile by Jessica Shearer
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Online • Nov 18, 2022
Radical Welcome: A Roundtable on Grantmaking as Care-Centered Work
Interview by Abigail Satinsky
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Online • Nov 15, 2022
On Publishing and Organizing: In Conversation with Mark Anthony Hernandez Motaghy
Interview by Erin Segal

Online • Oct 17, 2022
Twelve Fall Exhibitions to Check Out in Boston and Beyond
Feature by BAR Editorial

Online • Oct 13, 2022
At Distillery Gallery, Sunny Moxin Chen's "Wandering Be-ing" Presents a Meandering Journey
Review by Maya Rubio
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Online • Oct 04, 2022
At RISD, "Variance: Making, Unmaking, and Remaking Disability" Turns a Lens to Visibility and Care
Review by Matthew Lawrence

Online • Sep 13, 2022
Soyoung L. Kim's GHOST ROOTS Reimagines an Ancient Korean Dance for the Screen
Profile by Oisin Rowe

Online • Sep 06, 2022
Self-Emancipated: Ifé Franklin in Conversation with Chenoa Baker
Interview by Chenoa Baker

Online • Aug 23, 2022
The New Public Art Projects That Are Keeping Us Outdoors
Feature by BAR Editorial
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Online • Jul 19, 2022
At MAAM, "Designing Motherhood" Delves Into the Universal yet Deeply Personal Experience of Birth
Review by Jacqueline Houton
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Online • Jun 15, 2022
Day-trip Worthy Exhibitions to See This Summer Around New England
Feature by BAR Editorial

Online • Jun 06, 2022
Face to Face: Napoleon Jones-Henderson & Chanel Thervil
Interview by Dell Marie Hamilton
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Online • May 31, 2022
Adria Arch and Jai Hart Invite Us to Join Their “Play Date” at Nearby Gallery
Review by Maya Rubio

Online • May 29, 2022
Searching for Home in a Fractured Fairy Tale: Raida Adon’s Strangeness
Review by Jessica Shearer
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Online • May 25, 2022
Fungal Threads: Minga Opazo’s Biodegradable Textile and Mushroom Sculptures
Interview

Online • May 10, 2022
Cheryl Wing-Zi Wong Creates Sites for Rest and Play in Boston's Chinatown
Profile by Lian Parsons-Thomason
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Online • Apr 29, 2022
Resistance Language: Lisa Anne Auerbach's Twenty-Five Years of Wearing Her Thoughts on Her Sleeves
Review by Sara Farrell Okamura
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Online • Mar 29, 2022
Mark Your Calendars: Eight Shows to Check Out in Greater Boston This Spring
Feature by BAR Editorial
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Online • Mar 06, 2022
It’s My Infinite Indigenous Queer Love: In Conversation with Jeffrey Gibson
Interview by Mary McNeil

Online • Feb 26, 2022
Connecting Histories: Glenn Kaino’s “In the Light of a Shadow” at MASS MoCA
Review by Marcus Civin
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Online • Feb 01, 2022
Now + There’s Visit to New Orleans for Prospect.5 Inspires a Model for a More Collaborative Art City in Boston
Critical Perspective by Leah Triplett Harrington

Online • Dec 07, 2021
Choreographing the Personal: A Profile of Jessica Roseman
Profile by Ilya Vidrin

Online • Nov 15, 2021
Communing in Isolation: Rania Matar’s Window Portraits
Review by Shuchi Saraswat
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Online • Nov 05, 2021
Wish You Were Here: Paola de la Calle’s Window Display Blends History and Blurs Borders
Review by Knar Bedian

Online • Oct 30, 2021
Boston Ujima Project's Ashe Ashe Cultural Assembly is Building a Collaborative Arts Economy
Interview by BAR Editorial

Online • Oct 24, 2021
The Radical Act of Growing a Plant: Garden for Boston at the MFA
Review by Paige Curtis

Online • Sep 27, 2021
In a Painterly Field: Tamara Gonzales’s "Cosmic Recess" at Providence College Galleries
Review by Leah Triplett Harrington
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Online • Aug 30, 2021
Roots of Revolution and Diaspora in Firelei Báez’s ICA Watershed Installation
Review by Elizabeth S. Hawley

Online • Jul 02, 2021
Looking Back: A Case for Co-Dreaming at Northeastern's Gallery 360
Review by Gina Lindner

Online • Jun 17, 2021
Race, Space, and Place: Getting Hyper-Local for Juneteenth in Boston
Feature by Abena Osei Duker

Online • May 15, 2021
Take a River Walk with the “Sound on Mystic” Audio Installation
Feature by Ashira Morris

Online • May 04, 2021
Dislodging the Cultural Infrastructure of Indigenous Peoples' Dispossession
Critical Perspective by Erin Genia, Sisseton-Wahpeton Oyate

Online • Mar 23, 2021
Observation and Imagination: The Art of Evelyn Rydz
Profile by Jacqueline Houton

Online • Mar 21, 2021
To Be a Painting: On What is Bitter and What is Sweet with Cicely Carew
Interview by Mallory Ruymann
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Online • Mar 16, 2021
Making Space for Gen Z: The Impact of Young Voices in Community Art Initiatives
Critical Perspective by Asiyah Herrera

Online • Mar 09, 2021
Poetry, Pixels, and Posthumanism: Jibade-Khalil Huffman’s "Now That I Can Dance" at Tufts University Art Galleries
Review by Maya Rubio
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Online • Mar 08, 2021
In Conversation With Kai Grant: A Champion of Roxbury
Interview by Margo Gabriel

Online • Mar 04, 2021
Tiny Art for Uncertain Futures: A Conversation with Eben Haines of Shelter in Place Gallery
Interview by Jameson Johnson

Online • Feb 27, 2021
“Wayfinding” Exhibition Expands the Critical Possibilities of Historical Maps
Review by Shana Garr
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Online • Feb 22, 2021
Yes MAAM: A Game-Changing Revamp Yields Boston's First Free Contemporary Art Museum
Review by Jacqueline Houton

Online • Feb 12, 2021
Face to Face With Ayana Mack: Creating Images of Power and Purpose
Profile by Jacquinn Sinclair

Online • Feb 02, 2021
Subversive Celebration: Photography of Black Joy and Healing in a Summer of Reckoning
Critical Perspective by Jonathan Rowe

Online • Dec 29, 2020
Sensing Growth in the Cracks: Beatrice Modisett at Montserrat College of Art Galleries
Review by Lydia Gordon

Online • Dec 04, 2020
A Dance Between Past and Present: Chantal Zakari’s “A Work in Progress”
Review by Karolina Hac

Online • Dec 01, 2020
Supporting Boston-Based Artists and Makers This Holiday Season
Feature by Jameson Johnson

Online • Sep 01, 2020
Fitchburg Art Museum Explores Mortality and Remembrance With “After Spiritualism”
Review by Daria Semco
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Online • Aug 20, 2020
Experimental Art Leaves the Museum and Heads for the Drive-In
Review by Jacquinn Sinclair

Online • Aug 03, 2020
As Boston Cautiously Reopens, AREA CODE Art Fair Brings Art Back to the City
Review by Karolina Hac

Online • Jul 21, 2020
The Communal Intimacy of Public Art: In Conversation with Yu-Wen Wu
Interview by Gina Lindner

Online • Jun 23, 2020
Movement Toward Another World: In Conversation With Mar Parrilla
Interview by Theresa Mitchell

Online • Apr 28, 2020
In "Walls Turned Sideways" Forty Artists Tackle America's Criminal Justice System
Review by Shana Garr

Online • Apr 18, 2020
At Boston Center for the Arts, "FeministFuturist" Takes to the Web
Review by Karolina Hac
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Online • Mar 20, 2020
Art in the Time of COVID-19: Resources, Opportunities, and Ideas for our Community
Announcement by BAR Editorial
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Online • Mar 09, 2020
Spacetime (x,y,z + t): Traversing Time and Space through Technology and Art
Review by Jacquinn Sinclair
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Online • Feb 19, 2020
Digital Domain: In Conversation With Juan Obando
Interview by Isabella Achenbach

Online • Feb 11, 2020
2020 Talk Series Organized by Claire Barliant, Daisy Nam, and Meg Rotzel is Announced
Announcement by BAR Editorial

Online • Feb 02, 2020
The Sphinx Northeast Returns to Boston With Christopher Schade's "Passing Islands"
Review by Katy Diamond Hamer

Online • Dec 13, 2019
At Emerson Contemporary, an Immersive Installation Provides an Imagined Glimpse of our Future Earth
Review by Mary Morris Evans

Online • Dec 05, 2019
Remembering as a Collaborative Act: In Conversation With Katarina Burin and Farhad Mirza
Interview by Robert Moeller

Online • Nov 06, 2019
Not to be Missed: The Boston Art Book Fair is Back for a Third Year
Announcement by Jameson Johnson

Online • Oct 09, 2019
Unseen Dimensions of Public Space: Disrupting Colonial Narratives
Critical Perspective by Erin Genia, Sisseton-Wahpeton Oyate
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Online • Oct 03, 2019
New Movement: Boston Exhibition Looks Closely at a World in Motion
Review by Argyro Nicolaou
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Online • Sep 03, 2019
Fragments of Antarctica: In Conversation with Georgie Friedman
Interview by Gina Lindner

Online • Aug 07, 2019
Process, Practice, and Presence: Looking Back with Tory Fair
Interview by Jameson Johnson

Online • Jun 28, 2019
Street Theory Presents Eight Artists, Nine Murals, and One Highway Underpass
Review by Dan Atkinson
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Online • May 14, 2019
Weaving With the Thread of Time: In Conversation with Cecilia Vicuña
Interview by Jameson Johnson

Online • Apr 19, 2019
Art in Action at the BCA Mills Gallery: Maya Erdelyi on the Magic of Animation
Profile by Jacqueline Houton
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Online • Apr 02, 2019
Kapwani Kiwanga: Surveillance and the Limits of Recognition at The MIT List
Review by Denis Mwaura

Online • Feb 22, 2019
Not Time, But Feeling is Presented in Suara Welitoff's "Right Now This Moment"
Review by Theresa Mitchell

Online • Feb 04, 2019
Poetic Response: Stephanie Woods' Art Challenges Racial Perception and Performance
Review by Laura Neal
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Online • Nov 30, 2018
Afterlife in Detroit: The Story of a Man, an Egg, and a Train Station
Profile by Isabella Achenbach
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Online • Nov 22, 2018
Taking Away the Edges: Lavaughan Jenkins at Suffolk University Gallery
Review by Karolina Hac

Online • Nov 09, 2018
LaKela Brown and Ruby Sky Stiler at Providence College Galleries
Review by Elizabeth Corkery

Online • Nov 05, 2018
Sensuous Experiences with Art on The Margins: American Outsider Art at Tufts University
Review by Denis Mwaura
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Online • Nov 01, 2018
"Under a Dismal Boston Skyline ": An Era Not Forgotten
Review by Heather Kapplow

Online • Oct 27, 2018
Stephanie Cardon’s Massive Installation Calls for Climate Action At the Entrance to The Prudential Center
Interview by Brandi Griffin
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Online • Oct 19, 2018
Media_Rins Brings Post-Internet to the Museum of Fine Arts, Boston
Quick Bit by Allison Miller

Online • Oct 08, 2018
A Farewell Trail: The "Hemlock Hospice"
Critical Perspective by Sophie Kissinger

Online • Sep 16, 2018
A Stage for Emergence: Fujiko Nakaya’s Installations Reveal Fog as a Sculptural Medium
Review by Jameson Johnson
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Online • Sep 03, 2018
Inside The Watershed: ICA Boston Sails Across the Harbor
Feature by Olivia Kiers
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Online • Aug 26, 2018
The Dialectic Nature of Shrines at Dorchester Art Project
Feature by Olivia Deng
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Online • Jun 20, 2018
Suara Welitoff's "The Feeling of a Feeling" at Anthony Greaney
Review by Wesley Simon

Online • Jun 03, 2018
In Conversation: Tomek Sadurski on "NAVIGATORS" and "TIDES"
Interview by Phil Zminda
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Online • May 27, 2018
Making Room: How Boston’s Emerging Artists Carve Space for Themselves
Feature by Phil Zminda
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Online • May 09, 2018
Between Frontiers: In Conversation with Kylie Manning
Interview by Lauren Pellerano Gomez
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Online • Apr 26, 2018
Beyond Regionalism: A Decolonial Atlas at Tufts University Art Gallery
Review by Lizi Ham
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Online • Apr 25, 2018
Art In a Digital Landscape: In Conversation with Judith Barry
Interview by Jameson Johnson
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Online • Apr 20, 2018
“Code-Stitch: Resistance in Apparel” at How's Howard Gallery
Review by Kevin Le Blanc
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Online • Apr 12, 2018
Internet on View: Trevor Paglen at the Institute of Contemporary Art Boston
Review by Kate McBride
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Online • Mar 02, 2018
Influence X Design Conference Sheds Light on Design Accountability
Review by Robert Passas

Online • Feb 23, 2018
Kristin Texeira Talks Color, Memory, and Abstraction at Topdrawer Boston
Review by Avery Robertson

Online • Feb 15, 2018
Risqué or defiant? Killers & Thrillers at Kabinett Gallery Draws a Crowd
Review by Jule Davidoff
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Online • Feb 06, 2018
In Conversation: Hannah Fallon with Lauren Pellerano Gomez
Interview by Lauren Pellerano Gomez