• Subscribe
  • Shop
    • Issues
    • Merch
  • Read
  • Weekly Happenings
  • Programs
  • Search
  • About
    • About
    • Pitch Us
    • Team
    • Authors
    • Writing Fellowship
    • Our Stockists
    • Un-Monument
  • Support
    • Support
    • Donate
  • Log In
Cart(0)

Founded in October of 2017, Boston Art Review (BAR) is an independent online and print publication committed to facilitating active discourse around contemporary art in Boston.

© 2025 Boston Art Review. All rights reserved.

  • Shop
  • Read
  • Weekly Happenings
  • Programs
  • About
  • Support
  • Stockists
  • Advertising
  • Work With Us
  • Instagram
  • Terms & Privacy
  • Shipping & Returns

Contributor

Marcus Civin

Marcus Civin was born in Boston, Massachusetts. He received an MFA in Studio Art from the University of California, Irvine, and a BA in Theater from Brown University. In addition to BAR, his writing has appeared in Afterimage, Artforum, Art in America, Art Papers, Aufgabe, BOMB, The Brooklyn Rail, Camera Austria, Damn, Full Bleed, Maake, Plus, Prospect Art, and Sculpture, among other publications.

WebsiteInstagram

By This Author

Online • Jan 26, 2025

Victoria Burge Maps the Massive, the Minuscule, and the Mysterious

Profile by Marcus Civin

Online • Oct 01, 2024

In Newport, a Queer Sex Scandal and Sailor Sting Operation From 1919 Get a Film Dramatization

Review by Marcus Civin

Online • Jan 22, 2024

Christian Walker: Thoroughly Political, Poignant, and Worthy of Further Exploration

Review by Marcus Civin

Online • Nov 14, 2023

Eyes Without a Face: Providence-Based Duo Velvet Other World Explore Sexuality and Concealment

Feature by Marcus Civin

Issue 10 • Jun 06, 2023

In “Letters Mingle Souls,” Mitsuko Brooks's Mail Art Ventures Beyond Life and Death

Review by Marcus Civin

Issue 09 • Dec 13, 2022

At the Davis Museum, Lisa Reihana Recasts Colonial Narratives Through an Indigenous Lens

Review by Marcus Civin

Issue 07 • Feb 26, 2022

Connecting Histories: Glenn Kaino’s “In the Light of a Shadow” at MASS MoCA

Review by Marcus Civin